Thursday, 29 July 2021

International Tiger Day...

 

International Tiger Day 2021: Interesting Facts and the Importance of Wild Cats in Human Life






International Tiger Day is celebrated on July 29 every year to generate awareness regarding the dwindling population of the species. The population of the national animal of India has been affected by several factors like illegal wildlife trade, human wildlife conflict, habitat loss, and fragmentation.

According to the World Wide Fund for Nature (WWF) numbers of the Wild Tiger dropped by more than 95% over the last 150 years. However, for the first time in their conservation history, WWF has observed that their numbers are on the increase.

2022, which happens to be Chinese year of the Tiger, has been marked as the year when WWF aims to help double the number of wild tigers to over 6,000. Currently the total population of tigers around the world is known to be at 3,900. Around 3,000 of those wild tiger populations are in India.

Before the population of the wild cat became endangered, tigers used to roam across most of Asia. At present their population is restricted to just 7 percent of their original range and are only found in isolated forests and grasslands across 13 countries in the world.

Tuesday, 27 July 2021

 

कोई फ़र्क़ नहीं सब कुछ जीत लेने में और अंत तक हिम्मत न हारने में...



वो 1990 की सर्दियों का समय था ; श्रीलंका का एक 20 वर्षीय युवक प्रथम श्रेणी क्रिकेट में धमाकेदार बल्लेबाजी करने के बाद राष्ट्रीय क्रिकेट में भारत के खिलाफ पर्दापण करने के लिए तैयार था. लेकिन, ये क्या! वह दोनों पारियों में शून्य पर आउट हो गया और चयनकर्ताओं द्वारा उसे टीम से बाहर कर दिया गया. इसके बाद वह सीधा नेट्स में गया और दिन-रात पसीना बहाया. अगला मौका उसे पूरे 21 महीने बाद मिला परंतु परिणाम इस बार भी मनोनुकूल नहीं आया. वह इस बार भी दोनों पारियों को मिलाकर 1 रन ही बना पाया. पुनः 17 महीने टीम से बाहर रहकर अभ्यास करने पर उसे अगला मौका मिला और एक बार फिर वह दोनों पारियों में शून्य पर आउट हो गया.

ऐसी परिस्थिति के बाद किसी का भी धैर्य जबाव दे जाता; कोई भी समर्पण कर देता; लेकिन महान लोगों की महानता इसी में निहित होती है कि वे अपनी यात्रा पर संदेह नहीं करते. लगातार संघर्ष और खुद पर विश्वास के द्वारा कठिन से कठिन रास्तों को नाप लेते हैं.

वह बल्लेबाज़ 3 वर्षों के पुनः लगातार संघर्ष के बाद एक बार फिर राष्ट्रीय टीम में चयनित हुआ और उसके बाद उसका करियर इतिहास में दर्ज है. 6 डबल सेंचुरी, 5000 से ज्यादा टेस्ट रन, अपने देश का नेतृत्व आदि! यह 'डोंट गिव अप' की कहानी मर्वन अटापट्टू की है; बल्कि कहें हर उस व्यक्ति की है जिसने हारने से मना कर दिया!

हज़ार बर्क़ गिरे लाख आँधियाँ उट्ठें
वो फूल खिल के रहेंगे जो खिलने वाले हैं

सफलता किसे अच्छी नहीं लगती! विफलता से कौन विचलित नहीं होता! लेकिन, जो व्यक्ति विफलता को विनम्रता से स्वीकार करता है; लगातार अपनी कमियों को संदर्भित करता है, सुधार करता है और पूरे मनोयोग से अपने सर्वस्व का निवेश करता है, उसे सफलता मिलती ही है. शनैः शनैः अपनी बढ़त को मापना, उसे पोषित करना और अपने विश्वास को बनाए रखना ही सफलता का मूल मंत्र है.

सफलता की संघर्ष-यात्रा को हम 'चीनी बम्बू' की जीवन-यात्रा से भी समझ सकते हैं. आप इसके बीज को बोते हैं और साल भर खाद-पानी देने पर भी इसमें कोई बढ़त नहीं दिखती है तो आप परेशान हो जाते हैं; यह परेशानी और झल्लाहट 4-5 वर्ष तक चलती रहती है क्योंकि इसकी कोई ग्रोथ नहीं दिखती! 5वें वर्ष आपकी मेहनत का फल आना शुरू होता है और देखते-देखते यह 'चीनी-बम्बू' 90 फ़ीट बढ़ जाता है.

ज़िंदगी का भी यही सच है. ज़िंदगी भी आपको इसी तरह अचंभित करती है. आप लगातार मेहनत करते हुए संघर्ष करते रहते हैं तो अचानक एक दिन परिणाम आना शुरू होता है और फिर ये शृंखला शुरू हो जाती है और आपको अपनी संघर्ष-यात्रा मुक़म्मल प्रतीत होती है.

लगातार लगे रहिये! जहाँ हैं, वहाँ से प्रयास करिए! छोटे-छोटे पलों को काउंट करिए! खुद पर यकीन रखिये! विनम्र रहिये! सीखते रहिये! और फिर एक दिन आप पाएंगे कि धीरे-धीरे अंधेरा छंट रहा है, आप उजाले में प्रवेश कर रहे हैं और आपका जीवन आसान हो रहा है, और आप अपने होने के अर्थ तलाश कर पाए हैं.

बकौल कुंवर नारायण -

दुर्गम वनों और ऊँचे पर्वतों को जीतते हुए
जब तुम अंतिम ऊँचाई को भी जीत लोगे—
जब तुम्हें लगेगा कि कोई अंतर नहीं बचा अब
तुममें और उन पत्थरों की कठोरता में
जिन्हें तुमने जीता है—

जब तुम अपने मस्तक पर बर्फ़ का पहला तूफ़ान झेलोगे
और काँपोगे नहीं—
तब तुम पाओगे कि कोई फ़र्क़ नहीं
सब कुछ जीत लेने में
और अंत तक हिम्मत न हारने में......

Friday, 23 July 2021

 China reports first human death from Monkey B Virus youtu.be/r3hgrWhf_bY via 

China reports first human death from Monkey B Virus
China has reported its first human infection with Monkey B Virus (BV). A Beijing-based veterinary surgeon is confirmed as China's first death from the zoonot...
youtube.com

Happy Guru Purnima...


Today is the best day to pay tribute

to my Guru. On the auspicious day of

GURU PURNIMA,

make an oath to follow the steps of Guru.

Wednesday, 21 July 2021

Question mark on Vishwamitri’s crocodiles as Vadodara Municipal Corp rams their habitat...

 


Crocodile experts and green activists have protested in Vadodara, Gujarat, after the city’s municipal corporation started removal of vegetation from the banks of the Vishwamitri river July 10, 2021.

They said the action would destroy the riparian, which was an important habitat for ‘muggers’ or marsh crocodiles as well as a host of other wildlife unique to Gujarat’s third-largest city.

According to a survey done by the Gujarat Forest Department in 2020, there were an estimated 300 muggers in the Vishwamitri within Vadodara’s limits. The entire river system extending from Pavagadh hill in the Panchmahal district to the Gulf of Khambhat hosted a total of 1,000 animals.

“The timing of this activity is especially bad. The monsoon is here. It is the breeding season for muggers and other wildlife,” Raju Vyas, veteran herpetologist and a longtime resident of Vadodara told Down To Earth (DTE). Vyas has spent over two decades of his life researching on the muggers of the Vishwamitri.

The Vadodara Municipal Corporation (VMC) had brought earth-movers to the Vishwamitri’s banks ostensibly to ‘clean them up’ in accordance with the National Green Tribunal (NGT)’s order of May 25, 2021.

“... Demarcation of the entire flood plain zone of the river needs to be undertaken,” the order had read.

It had added:

While directing consideration of all the issues by the applicants, we reiterate the direction for implementation of the “Vishwamitri River Action Plan” including the steps for removal of unauthorised structures, demarcation and protection of flood plain zone and other action points according to the river restoration plan.

An earth-mover uprooting foliage in a ravine or ‘kotar’ on the banks of the Vishwamitri river in Vadodara. Video by Jitendra Gavali

However, activists said the current activity of the VMC appeared to be against the orders of the NGT.

“Prima facie, it appears as an effort towards the re-sectioning of the river, resulting in further encroachment on the river section through the dispersal and levelling of the soil; the debris and solid waste still remains,” a note prepared by a group of concerned citizens read.

The VMC has been planning since 2014 to develop the Vishwamitri’s river front on the lines of the Sabarmati river front in Ahmedabad but has run into obstacles as activists like city-based Rohit Prajapati have appealed to the NGT and other courts against its moves.

Ranjit Devkar, who works with the zoology department of Vadodara’s Maharaja Sayajirao University, said the ‘clean up’ was a disastrous move as far as wildlife was concerned.

“The riparian region is the water-soil interface on any river which should always be protected. The entire riparian region of the Vishwamitri within the city has been made nude and barren ostensibly to clean up vegetation so that floods do not occur,” he told DTE.

Devkar said he had asked city officials to cite any similar examples globally where vegetation removal from the riparian zone prevented floods. They said their engineers had told them so, he added.

The Vishwamitri was special for the mugger crocodile, Devkar said, as it was breeding in the river. “Any animal that is under stress will not breed,” he noted.

Devkar outlined four reasons as to why the VMC’s activity was wrong.

A marsh crocodile and a turtle on the banks of the Vishwamitri river in Vadodara. Photo: Jitendra GavaliA marsh crocodile and a turtle on the banks of the Vishwamitri river in Vadodara. Photo: Jitendra Gavali

One reason was the choice of the season, like Vyas had said, as the monsoon is the breeding period for the mugger.

The earth-movers would disturb eggs or hatchlings on the bank. The banks also serve as important basking sites for the animal which is cold-blooded and hence needs the sun’s heat to regulate its body’s enzymes.

The earth-movers had removed acacia and prosopis plants on the bank which had harboured basking sites. “The traditional basking areas have been destroyed and the land contours have been changed. No experts advised them before doing this,” he said.

Another reason according to Devkar was that the Vishwamitri hosted a whole host of wildlife other than muggers and turtles which are Schedule I species under the Wild Life Protection Act, 1972.

The ravines on the banks of the river, known as ‘kotar’ in Gujarati, host porcupines, the Common Indian Civet, the Jungle Cat, cobras, pythons, the Chequered Keelback and the Bengal Monitor. The whole food chain of this riverine ecosystem has been disturbed, Devkar said.

DTE reached out to Kartik Maharaja, the divisional forest officer of Vadodara, but did not receive any comment on the issue.

Sunday, 18 July 2021

SUCCESS...

 



      S -   see your goal.

      U -   understand the obstacles.

      C -   create a positive mental picture.

      C -   clear your mind of self doubt.

      E -    embrace the challenge.

      S -    stay on track.

      S -    show the world you can do it!


                                                                  - Mauli

 

WAY TO SUCCESS....



 SELF RESPECT, SELF WORTH,

& SELF LOVE, ALL START

WITH SELF.

STOP LOOKING OUTSIDE

OF YOURSELF FOR

YOUR VALUE.

Wednesday, 14 July 2021

Bring your own sunshine...



                                                            "Wherever you

go, no matter

what the 

weather, always

bring your own

sunshine."


                      - Mauli

Nothing is Impossible....


 

NOTHING IS 

IMPOSSIBLE, THE

WORD ITSELF SAYS,

"I'M POSSIBLE!"


                   - MAULI

Success in Life...







 I will success in Life

      not immediately but definitely...


                                                                                               - Mauli

Mithila Painting...

 





Perhaps the best known genre of Indian folk paintings are the Mithila (also called Madhubani) paintings from the Mithila region of Bihar state. For centuries the women of Mithila have decorated the walls of their houses with intricate, linear designs on the occasion of marriages and other ceremonies, Painting is a key part of the education of Mithila women, culminating in the painting of the walls of the kohbar, or nuptial chamber on the occasion of a wedding. The kohbar ghar paintings are based on mythological, folk themes and tantric symbolism, though the central theme is invariably love and fertility.

The contemporary art of mithila painting was born in the early 1960’s, following the terrible Bihar famine. The women of Mithila were encouraged to apply their painting skills to paper as a means of supplementing their meager incomes. Once applied to a portable and thus more visible medium, the skills of the Mithila women were quickly recognized. The work was enthusiastically bought by tourists and folk art collectors alike. As with the wall paintings, these individual works are still painted with natural plant and mineral-derived colors, using bamboo twigs in lieu of brush or pen.

Over the ensuing forty years a wide range of styles and qualities of Mithila art have evolved, with styles differentiated by region and caste - particularly the Brahmin, Kayastha and Harijan castes. Many individual artists have emerged with distinctive individual styles. Among the best known early Brahmin artists have been the late Ganga Devi (1928-1991), Baua Devi (b. Late 1940s), Sita Devi, Karpoori Devi and Mahasundari Devi (1922-2013).  Today’s leading artists, working in the kayastha style, include Pushpa Kumari  granddaughter of Mahasundari Devi  (1922-2013). Other painters in their family include Pradyumna Kumar and Pushpa’s younger sister Mala Karn.  Baua Devi was the only woman artist from India to show at the groundbreaking  Magiciens de la Terre exhibit in 1989 at the Centre Pompidou in Paris.  Works by several of these Mithila artists (Baua Devi, Sita Devi and Mahasundari Devi), along with Santhal jadupatua paintings and old Bengali scrolls, were included in the show Stories, Ceremonies and Souvenirs: Popular Paintings from Eastern India at the Philadelphia Museum of Art.  Among the current generation of Mithila artists, Pushpa Kumari, and younger artists such as Mahalaxmi Karn and Shalini Karn have expanded the canon to embrace contemporary issues of education, technology, women's rights and marriage equality...



Friday, 9 July 2021

Madhubani Painting...

 

                          


 Madhubani painting, also referred to as Mithila Art (as it flourishes in the Mithila region of Bihar), is characterized by line drawings filled in by bright colours and contrasts or patterns. This style of painting has been traditionally done by the women of the region, though today men are also involved to meet the demand. These paintings are popular because of their tribal motifs and use of bright earthy colours. These paintings are done with mineral pigments prepared by the artists. The work is done on freshly plastered or a mud wall.

For commercial purposes, the work is now being done on paper, cloth, canvas etc. Cotton wrapped around a bamboo stick forms the brush. Black colour is obtained by mixing soot with cow dung; yellow from turmeric or pollen or lime and the milk of banyan leaves; blue from indigo; red from the kusam flower juice or red sandalwood; green from the leaves of the wood apple tree; white from rice powder; orange from palasha flowers. The colours are applied flat with no shading and no empty space is left.

Figures from nature & mythology are adapted to suit their style. The themes & designs widely painted are of Hindu deities such as Krishna, Rama, Siva, Durga, Lakshmi, Saraswati, Sun and Moon, Tulasi plant, court scenes, wedding scenes, social happenings etc. Floral, animal and bird motifs, geometrical designs are used to fill up all the gaps. The skill is handed down the generations, and hence the traditional designs and patterns are widely maintained.

In order to create a source of non-agricultural income, the All India Handicrafts Board and the Government of India have been encouraging the women artists to produce their traditional paintings on handmade paper for commercial sale. Madhubani painting has become a primary source of income for scores of families. The continuing market in this art throughout the world is a tribute to the resourcefulness of the women of Mithila who have successfully transferred their techniques of bhitti chitra or wall painting to the medium of paper.


                                                                                                                   - Mauli